Entering the tiger room, you see the violent act- tigers with arrows pierced into their bodies and there’s a very visceral response. Even though it’s completely fake, the tigers are so realistically made that the audience feels pain when they see the them. The pain is not in the tigers, which obviously can’t feel. The pain is really in the person who’s viewing this. So it’s through the artwork, because it represents pain, that one feels this pain and has this very visceral relationship or reaction to it.”- Cai Guo-Qiang
"HEAD ON”, 2006:
Glass sheet and 99 life-sized replicas of wolves, dimensions variable. Installation view at Deutsche Guggenheim, Berlin, 2006. Photo by Hiro Ihara and Mathias Schormann. Courtesy Cai Studio, New York.
An installation of 99 life-sized animal sculptures, including pandas, lions, tigers, and kangaroos, all drinking together from a lake surrounded by white sand;inspired by a trip he made in Australia, the artist Cai Guo-Qiang created a huge installation called Heritage, to gather around a swimming pool disguised as a pond 99 replicas of animals from around the world coming to drink. A magnificent work, presented at the Queensland Art Gallery of Modern Art in Brisbane.
Born in Ridgewood, New Jersey, Alyssa Monks began oil painting as a child. She studied at The New School in New York and Montclair State University and earned her B.A. from Boston College in 1999. She has taught Flesh Painting at the New York Academy of Art, as well as Montclair State University and the Lyme Academy College of Fine Arts. “Using filters such as glass, vinyl, water, and steam, I distort the body in shallow painted spaces. These filters allow for large areas of abstract design - islands of color with activated surfaces - while bits of the human form peak through. In a contemporary take on the traditional bathing women, my subjects are pushing against the glass “window”, distorting their own body, aware of and commanding the proverbial male gaze. Thick paint strokes in delicate color relationships are pushed and pulled to imitate glass, steam, water and flesh from a distance. However, up close, the delicious physical properties of oil paint are apparent. Thus sustaining the moment when abstract paint strokes become something else”
DIncredible Photos Show What Post-Apocalyptic dioramas by Lori Nix
Lori Nix has a morbid imagination. The photographer has been fascinated with the end of the world for as long as she can remember, and she says it may have to do with growing up in rural Kansas.
“I’ve been in tornadoes, floods, blizzards,” Nix told Business Insider. “I grew up surrounded by disaster.”
Nix’s project “The City” portrays a world where some disaster has caused humans to depart for an unseen destination. What’s left behind are dilapidated structures— art museums, theaters, laundromats, bars, libraries — that no longer function and are slowly being reclaimed by Mother Nature.